Ask me! CTM! :3Sobre mi :3

(Fuente: criminal-mastermind, vía jaidefinichon)

i-inanna:

jmu4xxx:

i-inanna:

(/ω\)
god..im embarrassed….

http://jmu4xxx.tumblr.com/

You should shove your self promoting over your fucking ass, preferably in the form of a log with nails and on fire.

i-inanna:

jmu4xxx:

i-inanna:

(/ω\)

god..im embarrassed….

http://jmu4xxx.tumblr.com/

You should shove your self promoting over your fucking ass, preferably in the form of a log with nails and on fire.

(vía thiisisart)

inkeddolls:

samguss:

from the earth

#InkedDoll

inkeddolls:

samguss:

from the earth

#InkedDoll

(vía thiisisart)

Like this post

"Hay perfumes que huelen a recuerdos."

gourgeist:

source

gourgeist:

source

(vía ninjendo)

haychelda:

Weavile by *Haychel
Follow the link to DA for bigger size~

haychelda:

Weavile by *Haychel

Follow the link to DA for bigger size~

(vía ninjendo)

bluekomadori:

Quick ghost doodles

(vía ninjendo)

caterpie:

By 「ベルちぁん」

caterpie:

By 「ベルちぁん

(vía ninjendo)

gmelaniag28:

-PokéHalloween-
By Me ;D

gmelaniag28:

-PokéHalloween-

By Me ;D

(vía ninjendo)

deadlysquishii:

ARTIST : さよJr.

deadlysquishii:

ARTIST : さよJr.

(vía sparklesofmateria)

(vía herzencat)

(Fuente: luxuryflush, vía herzencat)

the-stoner-sage:

perpetuallackofsleep:

nostalgia drawings by gabriel picolo

I can’t even begin to explain how in love I am with these

(Fuente: vikadi, vía thalia0jenny)

(vía nekomarie)

asylum-art:

Jane and Louise Wilson 303 Gallery

Oddments Room

Internationally acclaimed artists Jane and Louise Wilson are known for their film and photographic works, often exploring states of consciousness and the experience of place. This summer a series of large-scale photographs from their ongoing investigation into the 1986 Chernobyl nuclear disaster premieres at the John Hansard Gallery. The exhibition also features a number of other works, many previously unseen in the UK.

Atomgrad (Nature Abhors a Vacuum), 2010 is a suite of eight photographic prints depicting deserted interiors from the abandoned town of Pripyat, situated within the 30km wide Exclusion Zone around the site of the disaster. Books remain on shelves and desks, bed frames remain intact and once-exquisite parquet flooring lies on the ground like rubble. A yardstick appears within each image and is a recurring motif throughout the exhibition. These objects of measurement – functional yet obsolete – act as a marker of scale and order, alluding to the tensions between association and analysis, memory and material fact.

(vía asylum-art)